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10.8.11

Circle jerking: A group of people discussing a (usually controversial) topic with the same stance, agreeing with each other to the point of redundancy. Usually involves ego-stroking and the false satisfaction of having won an argument when in fact there was no opposition, or the opposition was boo'd out of the discussion.

Example: what happens on Facebook when people discuss either a)the awesomeness of religion or, b)the evils of religion.

Now you know, (citation needed).

3.8.11

gluttonous battle zone

sorting through clothes
of the yes's
the no's
the maybe so's

the "maybe" stack,
turns into the "when i am skinny" pact
intentions intact
but never quite exact

a ritual observance
of an annual occurrence
the little war of decadence
with this summer cleaning abhorrence


the old, the new
the forgotten few
everything you outgrew
everything that outgrew you

26.7.11

Where my fortune lies by Auld Lang Syne



   This song is so beautiful. It's sad but it wakes you up at the same time.

18.7.11

Habits


When I say we, I mean I.

Habits are not just hard to break, they are hard to identify. Habits are inevitable (obviously) but there are peculiar habits that arrive out of a necessity but then never diminish. Like when we see beauty we want to capture it. With a photograph, with a painting, with anything that is more lasting than our experience. And for what? So it can be shared. Mostly. We enhance our lives with music, with stories, with art. We capture it in bits. A moment becomes a picture, a quote…..a tweet. When you feel something you can't wholly understand, or precisely express - there's a song that'll do just that. And we encapsulate that moment in that song. While the song is supposed to be an expression of the reality, in the end what remains is the song. The moment doesn't stand independently anymore. It's a habit. To create information bites, whether it's through words, visuals or sounds. We produce bits, and more importantly we consume bits.  Quotes, extracted from their contexts, bolded and reproduced within pairs of bunny ear punctuation marks. It is a habit to want to enhance the experience. But the enhancement itself becomes the experience, and the reality is boiled down to representations. 

Our experiences become filtered and foreign. We participate in a culture of sharing, but once you share something it acquires a life of its own. It's not yours anymore, and it's not sacred. It becomes the object of someone else's analysis, based on the way they perceive things. Once the original context is removed, you most likely have diminished the beauty that you witnessed. The beauty that you wanted to capture. What you felt is no longer unedited. That feeling that allowed you to perceive something in a unique way is no longer present. And all that is left is that bit of information. Like a thought expressed in a blogpost.

When you are smoking a cigarette, you are inclined to finish it. Whether midway it loses its purpose, whether midway you no longer desire it - you finish it regardless. Sure it's a waste if you don't, but you are no longer smoking for the reason that you chose to smoke. You are smoking to finish it. Just like that, you are no longer capturing beauty to appreciate it, you are capturing it to contain it. 

It's dictatorial. It's consuming. Of course, nothing would be created if no one actualized their ideas. If thoughts were never put to paper there would be no production, no growth. But does it have to be so engrained? But, beauty is still as beautiful if you don't frame it, right? Without those encapsulating markers we forget to understand what we appreciate and what we don't. We forget how to differentiate between what is enchanting to us versus what we think should be enchanting. And realizing this is not enough to overcome it. But it maintains your sanity.

17.7.11

the alternate universe was rapture

the alternate universe was rapture
but you couldn't wait for capture
you did what you thought
was the best for your plot

you did what you thought,
what you ought to have not.

16.7.11

30 second paintings

Light painting
 (thirty second exposure and LED lights)
I was experimenting mostly with shutter speed and trying to properly frame the picture. When you are trying to draw on air, with little light, it takes some practice to figure out where the picture frame begins and ends. Despite the unpolished results, it was a lot of fun. 








14.7.11

              For Arriana: the newest addition to my favourite white family.
             p.s. Crafts are so much fun. 

12.7.11

Watch it - Brief Interviews with Hideous Men

Sometimes the best movies turn out to be the ones I have never heard about (probably because of the low expectations). Pleasantly surprised by John Krasinski's talents.

"Brief interviews with hideous men" trailer":

11.7.11


The tragically hip at Bluesfest (09.07.2011)
      Gordon Downie
      Downie with his white man dance moves
      Paul Langlois
      Rob Baker

2.7.11

A few days ago I realized I couldn't think of a gender-neutral, age-neutral english term for son/daughter. After 2 days the only word I could think of was "offspring". But there must be a more colloquial equivalent.

I can't remember why this came up in the first place, it might have been because of this article: Parents keep child's gender secret, but it has been mildly bothering me ever since.

21.6.11

coop

cubicle living,
so dull and forgiving,
lived it through June,
and the forevermoon.




The Quiet World by Jeffrey McDaniel

One of my favourite contemporary poems:

The Quiet World by Jeffrey McDaniel

In an effort to get people to look
into each other’s eyes more,
and also to appease the mutes,
the government has decided
to allot each person exactly one hundred
and sixty-seven words, per day.

When the phone rings, I put it to my ear
without saying hello. In the restaurant
I point at chicken noodle soup.
I am adjusting well to the new way.

Late at night, I call my long distance lover,
proudly say I only used fifty-nine today.
I saved the rest for you.

When she doesn’t respond,
I know she’s used up all her words,
so I slowly whisper I love you
thirty-two and a third times.
After that, we just sit on the line
and listen to each other breathe.

14.6.11

literary crimes

it was injury to sight
she held Slaughter House Five
and he complacently obliged

they experienced the thrill
of their illicit act:
folding page corners

all dog-eared books
and doe-eyed looks


6.6.11

happy people

happy people with their 

nervous whispers 
and carefree 
fragile fingers 
mistakenly linger 
on remedies 
of jealousies 
and memories 
of ecstasies 
and their cacophony 
of melodies 
happy people with their 
nervous whispers 
and carefree 
fragile fingers 
needlessly agree 
on mutual demise 
their sacrificial eyes 
telling colossal lies 
as they improvise 
the highs 
of painful goodbyes

29.5.10

so, just where do we belong?


the journey we took is so
long, long, long

the turns we took are so
wrong, wrong, wrong


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